Taller No.8 25-Mayo-2015
Tallerista: Kris Vallejo
Asignación: Ensayo sobre un poema favorito del autor
DINOSAURIA,
WE por Charles Bukowski
Born like
this
Into this
As the
chalk faces smile
As Mrs.
Death laughs
As the
elevators break
As
political landscapes dissolve
As the
supermarket bag boy holds a college degree
As the oily
fish spit out their oily prey
As the sun
is masked
We are
Born like
this
Into this
Into these
carefully mad wars
Into the
sight of broken factory windows of emptiness
Into bars
where people no longer speak to each other
Into fist
fights that end as shootings and knifings
Born into
this
Into
hospitals which are so expensive that it's cheaper to die
Into
lawyers who charge so much it's cheaper to plead guilty
Into a
country where the jails are full and the madhouses closed
Into a
place where the masses elevate fools into rich heroes
Born into
this
Walking and
living through this
Dying
because of this
Muted
because of this
Castrated
Debauched
Disinherited
Because of
this
Fooled by
this
Used by
this
Pissed on
by this
Made crazy
and sick by this
Made violent
Made inhuman
By this
The heart is blackened
The fingers reach for the throat
The gun
The knife
The bomb
The fingers reach toward an unresponsive god
The fingers reach for the bottle
The pill
The powder
We are born into this sorrowful deadliness
We are born into a government 60 years in debt
That soon will be unable to even pay the interest on that
debt
And the banks will burn
Money will be useless
There will
be open and unpunished murder in the streets
It will be
guns and roving mobs
Land will
be useless
Food will
become a diminishing return
Nuclear power will be taken over by the many
Explosions will continually shake the earth
Radiated robot men will stalk each other
The rich and the chosen will watch from space platforms
Dante's Inferno will be made to look like a children's
playground
The sun will not be seen and it will always be night
Trees will die
All vegetation will die
Radiated men will eat the flesh of radiated men
The sea will be poisoned
The lakes and rivers will vanish
Rain will be the new gold
The rotting bodies of men and animals will stink in the dark
wind
The last few survivors will be overtaken by new and hideous
diseases
And the space platforms will be destroyed by attrition
The petering out of supplies
The natural effect of general decay
And there will be the most beautiful silence never heard
Born out of that.
The sun still hidden there
Awaiting the next chapter.
El Apocalípsis ha llegado, anuncia Bukowski con ronca
fanfarria. No hay escape del claro panorama pintado por el poeta, quien a
través de su óptica avinagrada (vida atormentada y oscurecida por el
sufrimiento) nos relata el fin de la humanidad, desde su máquina del tiempo,
que es este poema.
Escrito en 1993 por un Bukowski enfermo y viejo, no es
difícil descifrar el porque de su actitud despectiva a todo lo relacionado con
el contacto humano, su orden, sus instituciones y hasta la mera existencia del
ser.
Todos somos animales fuera de control, todos nos arrastramos
como culebras sólo por interés mezquino: ya nadie conversa en los bares! se
horroriza el autor. El mundo cae a pedazos a medida que el relato va cobrando
fuerza en este verso libre, pero hay un deje de amargura acumulada, que le
confiere un viso mas oscuro de lo usual, dentro del estilo propio de Charles.
Lo veo como una despedida del mundo a su manera, un último
escupitajo en la tinaja metálica donde tiene sumergida a la humanidad: El
hospital que no le brindó servicio, el abogado que lo estafó, la chica bella
que nunca aceptó sus avances. Toda aquella felicidad reservada, según el, para
los guapos y los fuertes, y que le fué negada.
Con preocupación también podemos observar las inequívocas
señales de nuestro tiempo en esta pieza, basta leer un periódico o sintonizar
las noticias para considerar este poema como profético. Charles Bukowski, como
pocos, vislumbra con facilidad el colapso de una sociedad que sigue
dirigiéndose, desde aquel entonces, a la destrucción de si misma, con pasos de
dinosaurio gigante.
Le creemos?
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